Photos by Rachel Matthews – The Brian Jonestown Massacre is a cult-favorite collective that has carved out a singular space in modern psychedelic rock since its formation in the early 1990s. Founded by the enigmatic and prolific Anton Newcombe in San Francisco, the band became synonymous with a raw, lo-fi revival of 1960s psychedelia, blending influences from bands like The Rolling Stones and The Velvet Underground with a rebellious, DIY ethos. Their sound—drenched in reverb, droning guitars, and hypnotic rhythms—quickly earned them a devoted underground following.
Throughout the late ’90s and early 2000s, The Brian Jonestown Massacre gained notoriety not only for their prolific output but also for their turbulent internal dynamics, often centered around Newcombe’s uncompromising artistic vision. This era was famously documented in the rock documentary Dig!, which chronicled the band’s chaotic journey alongside their peers The Dandy Warhols. Despite lineup changes and industry pressures, the group remained fiercely independent, releasing a steady stream of albums that embraced experimentation over commercial appeal.
In the years since, The Brian Jonestown Massacre has evolved into a globally respected act, with Newcombe relocating operations to Berlin and continuing to push sonic boundaries. Their later work reflects a more refined yet still exploratory approach, incorporating elements of shoegaze, electronic textures, and world music influences. Decades into their career, the band remains a vital force in alternative music—proof that artistic integrity and relentless creativity can sustain a legacy far outside the mainstream.
VOOM is a beloved indie rock outfit from Auckland, known for their off-kilter charm, jangly guitars, and quietly infectious songwriting. Fronted by Buzz Moller, the band first emerged in the 1990s as part of the country’s fertile alternative scene, often associated with the influential Flying Nun Records. VOOM quickly built a cult following thanks to their clever, introspective lyrics and melodic, slightly surreal take on indie pop, capturing a distinctly New Zealand sensibility that felt both intimate and whimsical.
Despite long gaps between releases, VOOM has maintained a dedicated fanbase, with their music aging gracefully and continuing to resonate across generations of listeners. Their long-awaited debut album, Now I Am Me, finally arrived in 2020, compiling years of material into a cohesive and warmly received record. With Moller’s understated vocal delivery and the band’s loose, organic instrumentation, VOOM’s sound feels timeless—equal parts nostalgic and quietly innovative—cementing their place as one of New Zealand’s most quietly influential indie acts.
