Liz Phair is thrilled to release a new song from her highly-anticipated album, Soberish, which is due for release on June 4th, 2021 via Chrysalis Records. The track, entitled “In There,” is a percolating, simmering song about vulnerability, with the sort of incredible wordplay and melodies that only Phair can create. “In There,” which follows the release of album single and opener “Spanish Doors,” as well as the song “Hey Lou,” is another stand out track from Soberish, Phair’s first collection of original material in eleven years. Produced by Phair’s longtime collaborator Brad Wood – known for helming Phair’s seminal albums Exile In Guyville, Whip-Smart, and whitechocolatespaceegg – Soberish is a portrait of Phair in the present tense, taking all of the facets of her melodic output over the years and synthesizing them into a beautiful, perfect whole.
Almost thirty years since her peerless debut album, Exile In Guyville, was released (voted #56 on Rolling Stone’s 2020 list of the 500 Greatest albums of All Time), Phair returns with a new record that will both intrigue and satisfy her long-standing fans, and introduce her to a smart young audience whose contemporary heroes have been reading from Phair’s playbook since they first picked up a guitar.
Liz Phair has achieved the kind of status in her industry rarely bestowed on recording artists. Her albums in the 1990s were central to the indie rock canon of the day. Her image was featured in countless magazines, early Apple commercials and Gap ads. Her eponymous album for Capitol Records in 2003 took Phair in a pop direction that ruffled some critics’ feathers but nonetheless went gold, galvanizing a host of new fans, particularly among young women who fell in love with hits like “Why Can’t I” and “Extraordinary”, tracks that were featured in several major films and TV shows, including 13 going on 30, Raising Helen and How to Deal. Liz has picked up two Grammy nominations, and a spot in Pitchfork’s “Greatest Albums of the 90s” with over five million record sales to date (including three U.S. gold albums). She sang “God Bless America” at the opening game of the Chicago White Sox World Series victory in her hometown in 2005.
Her acclaimed memoir, Horror Stories, published by Random House in 2019, was an insightful, passionate and no-holds-barred look at the life of a singular woman who has been disrupting and influencing since she knew the meaning of the words. The New York Times, The Boston Globe, NPR and the Wall Street Journal championed her first foray into prose. She’s a guitar player who’s created her own voicings and structures; a feminist trailblazer; a composer for film and TV; a visual artist; a lyricist of brutal honesty and devil-may-care insouciance.
On Soberish, Phair is also at the top of her game in the recording studio, drawing upon years of experience in television composition to weave through the songs daring and unexpected sound design. With Brad Wood’s masterful production, the result is a wholly fresh yet satisfyingly familiar sound that challenges on the first listen and seduces with each subsequent play through. The earworms are strong with this one!
There are the off-kilter, unexpected guitar chords listeners will recognize as her signature style, a mainstay from her earliest work; the instantly knowable choruses of her most pop-friendly songs of the early 2000’s; the frank lyricism and storytelling that has opened doors for countless women picking up guitars and attempting to speak about their experiences.
To look forward, Phair has spent a little time looking back at a career that has achieved so much, and with plenty more to come. The celebrated box set reissue of Guvyille and the Girly-Sound tapes back in 2018 acted as a catalyst for Liz to remember what teenage Liz felt when that music was putting her name up in lights. It was a dizzying blur of excitement, fueled by her innate knack for delivering straightforward but devastating, razor-sharp songs. Soberish arrives, shoulder to shoulder with her past work, full of world-weary experience but dancing with a breeziness and brashness that wouldn’t be out of place at any point in her career. From the record’s title track to “Spanish Doors,” “The Game,” ‘Ba Ba Ba,” “In There,” and “Hey Lou”, these hooks and melodies have never come easier for Phair, which is why Soberish is her best and most instantly enjoyable record in decades. Impactful, and with purpose.
